She stood at the edge of the elegant Jinnah Avenue, a stone's throw away from the leafy environs of Government House, the undisputed Queen of the cinemas: Gulistan, the 'rose garden' of Dacca's cinema-loving public.
I enjoyed reading my teacher and mentor Fakrul Alam's “The Literary Club of 18th-Century London” (Daily Star, 20 August 2018). Referring to our age-old practice of having literary addas (chatting circles) and London's “The Club” better known as “Literary Club” which Samuel Johnson (1709-84) and Joshua Reynolds (1723-92) founded in 1764, he pointed to a comparable literary tradition of Bengal and Britain.
Bibhutibhushan Bandopadhyay is a name entwined with the rural Bengal and its people. He specifically focused on the north-western districts of the undivided Bengal and brought out an amazing portrayal of the simple rustic life and its scenic beauty.
It had been raining lightly since morning. During the monsoon, the North-Eastern Bengal Haor wetland areas would go under deep water, the water remaining for half of the year. Boats would become the prime mode of transportation.
Syed Ismail Hossain Siraji (1880–1931) is one of the pioneers of the Muslim Renaissance in the subcontinent. He was born in an illustrious Muslim family at Sirajganj town in the then Pabna district in 1880 and also died in the same place in 1931.
On a second thought, the door didn't start the whole mess. Rather it can be labeled as a witness, a milestone perhaps. At least that's what Aru thought as she dipped the paint brush in a bucket full of thick, dark paint.